Laigle de Meaux (
tire_moi_mes_bottes) wrote2014-12-16 12:33 pm
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Lesgle and Joly always share everything--except when they don't. And sometimes Lesgle even makes an effort not to share with Joly. (Not always successfully: see, for example, various head-colds and stomach upsets, as well as the Moth Problem of '29 and the Sitting in Unfortunately Melted Chocolate Incident of '31 and the many many instances of spilled beverages and regrettable hangovers.)
But setting that parenthesis aside: sometimes Lesgle makes an effort not to share with Joly, particularly when it comes to bad moods. And what with one thing and another, he can feel one coming on. Actually, no, it's not just a case of "feeling a bad mood coming on."
Lesgle wants to break things, kick things over, and punch things very hard.
In other words, it's a Bahorel mood. So that's where he goes now instead of the Blue Cherub Room.
But setting that parenthesis aside: sometimes Lesgle makes an effort not to share with Joly, particularly when it comes to bad moods. And what with one thing and another, he can feel one coming on. Actually, no, it's not just a case of "feeling a bad mood coming on."
Lesgle wants to break things, kick things over, and punch things very hard.
In other words, it's a Bahorel mood. So that's where he goes now instead of the Blue Cherub Room.
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He takes the book and begins where Bahorel had suggested. (But what a lot of book comes before, he thinks. He's almost afraid to look at the rest.)
Laigle's face goes still and somber as he reads. At the end of the introductions, and a few sentences into the next chapter, he pauses with a finger between pages and meets Bahorel's eye. "Lecter told you this?"
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"He did not tell you." It's not a question.
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He takes up the book again. Had the conversation with Pontmercy gone just so? He rather thinks it had, to the word. Not that he remembers it so very precisely, but some of the better phrases come back to him. That was a clever thing he'd said there, about Blondeau.
The next chapter seems to confirm Pontmercy's hand in the story, though it's not an explanation that meets all questions. Then comes the next chapter: the back-room of the Musain. He skims through Grantaire's speech without much guilt at his inattention, then pauses with a frown when he reaches his own interruption. He remembers that. And that, and that, and that.
Finally he puts down the book. "Si César m'avait donné la gloire et la guerre..." He can't make a tune happen. "Who have you spoken to about this?"
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Valjean. Cosette.
He wants to know. He doesn't want to know.
He leafs ahead to another spot Bahorel had marked, and reads with thinned lips. "No great respecter of privacy, is Hugo. --Ah, hell, Bahorel. What do you mean to do with this? I'm tempted to throw it into the fire, you know. Except you haven't a fire here. And it would be mere theater."
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1822, indeed.
"But then they may not have been discrepancies there."
And then again, why not commit to a theory?
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Well, maybe he's the only one whose thoughts will wander in such an odd direction.
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"Is the conclusion not obvious? There must be many worlds; in some of them we must not exist; yet echoes come through, somehow."
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He scratches his beard thoughtfully: this line of thought is easier than the one he'd begun to follow. "Yes, it makes a kind of sense. A vast number of worlds, each with its own Victor Hugo. Such an expanse of forehead! And in one of them--what? He makes some uncannily canny guesses about our world?"
It doesn't quite hang together.
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That's not such a troubling thought. He takes a good long drink from his bottle and decides to keep his own notion to himself.
Maybe.
Or not.
"--It's better than the idea that we exist only courtesy of some unseen novelist's pen." Which sounds like religious metaphor, really, and he half hopes Bahorel will take it as such.
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Right now-- right now, he only blinks, and then starts laughing. "And what would we all be, here, then? We are dead, we are all fully gone; our novelist has dispensed with us. Does he keep a daily notebook of our adventures in this little inn?" He shakes his head.
"You may choose to believe yourself a fiction if it brings you comfort, L'aigle; you would not be the first I have known to do so. For myself, I will have no patience with an author who allows such a sloppy and unfinished sequel; and if I am a fictional character, why, I reclaim myself; the author may do as he likes, I reject that paternity, I shall not answer to him; and so it ends up the same in either case."
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Mesmeric forces between worlds sounds much more like something he'd want to talk with Joly about, anyway.
He puts down his bottle carefully, with the precision of someone who knows how much he's had to drink and really doesn't want to knock anything over. "I'll find another copy in the library, I expect? Or I can ask the Bar. Still, you'll be--cautious--when you bring it up with others?"
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Yes,in fact, he is going to make Lesgle spell it out. At least partly because he really doesn't see anything upsetting in this.
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"We're at a sad pass when I'm the voice of caution. Well. You may be delighted to find your words committed to paper for every man and woman to read--and you may not be shy of looking in the glass. I don't know that everyone will be so happy. Grantaire, now...an unaccepted Pylades, existing only as the reverse of Enjolras? And Enjolras, I expect he's heard Grantaire talk of beautiful marble before, but it's easier to ignore when it's not in the library for any schoolboy to snicker at. Or for any Hannibal Lecter to serve himself as a meal."
This is no joke, and he reaches over to catch at Bahorel's arm, pressing it. "And that's not even beginning to pick at the question of how our words and thoughts can be set down so exactly."
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He puts his hand over Bossuet's and leans forward, still intent. "And if there was no book, people would still read us, and make their own opinions. That is always the way of it; people come to each other with their own stories, and look to see who fits the plot they think they know. Do you think there is a line there that someone hasn't looked at us and considered, or won't, while we're here? We are all of us applauded and damned by audiences waiting to hear us echo their script, even as we try to make our own."
"This book changes nothing of that, at least not for us; except that we might know some of the stories others tell themselves of us, to the word. Well? What of that? If there is an advantage there, it is to us, so long as we know of it. Let others laugh, or sneer, or shrink away; from the lines in a book or the lines in their head, what difference does it make?"
"And if those lines are remembered from the truth- did we not think they would be, in some way? The Victor Hugo of our world surely didn't create us; perhaps he did create this, some thirty years after our death. Perhaps it was another Hugo in a world aside from ours. The true stories endure across time; this, we know. Perhaps they endure across world. And if sometimes a writer hears the voices of his tale more clearly than others- why, is that not just what writers always say, when they are in the grip of inspiration?" He does smile, now. "As for the how of it--why if I knew the mechanism for that, the trick to pull words into true, I might have served our cause far better than I did."
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When Bahorel is done, he drapes his arms loosely around his folded knees. "I wear an old coat day in and day out. Marius Pontmercy, as I recall, living on much the same income as myself, went to the length of turning an old coat of Courfeyrac's--and then only going out at night, so that he could still be in mourning. Now, you might say that each of us is a poor man and anyone who looks for more than half a second will see it too. But Bahorel, would you haul Pontmercy out into the daylight and tear his old coat off his shoulders just so he could know how very poor he looks?"
He waves a hand. "Pardon me for speaking in parables, when I think we can agree I'm no Jesus. Bahorel, I know you can be gentle. That's all I ask. Of course I don't intend to lie, or to ask you to lie. It's absurd; I'm not that stupid and neither are our friends. But my God, man, give them some warning, tread lightly. Remember that some people like to tuck their dirty linens out of sight; don't laugh when you tell them the whole neighborhood has seen their last stained threadbare shirt flapping in the breeze."
The rest, Bossuet doesn't feel like addressing. He needs to think about it, and he needs to read the rest of the book.
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"But I do not say you are wrong. Far from it-- others will more likely share your understanding of the situation than mine.I cannot promise to meet your standards of caution; I do not have your kindness. But if you would prefer to carry the news--" he holds out the book "I will wait a few days; no more. Especially if a man wishes to keep himself in the shadows, there is no fairness in not letting him know that he has stumbled into the center of the stage."
He grins then. "Or I could begin writing a note to Joly now, and you could have an excuse to practice violence, as you seemed to wish when you came to visit."
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As for the note, he moves to his desk and shuffles through a few pieces of paper, finds one, and clears his throat.
"Dear Joly- we're in a book by, of all men, Victor Hugo. Not too much, mind you; it's very long and there's a whole chapter about Louis-Philippe, I do not recommend the experience. I'll tell you more if you like, but don't worry too much about it. If someone tries to throw it in your face, bat your lashes and tell them you know all about it; I certainly mean to."
He considers the paper for a moment, then grabs a pen and writes dramatically while saying "p.s.Bossuet thinks too much, do something to stop it."
He tosses the paper over. It has the whole text on it. "I didn't expect to be called on for any more detail, you know. I've never known Joly to seek out historical literature with any great gusto."
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He catches the paper in mid-air, drunk enough to be graceful again the way he was at the barricade, and folds it into his waistcoat without looking. "No, I'm sure you didn't expect to be called on for detail. You'll let someone else do that. All right. I'll take this to Joly."
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And his own study around the matter is evidently not something he's going to be able to explain. He rolls up the other papers scattered on his desk into a rough ball, looks blankly at the walls for a moment, and then tosses himself backwards into the chair hard enough to make it creak, and hurls all the paper over his head.
"And definitely a fireplace" he says calmly, while the paper bounces and flutters down. "Tell me what he thinks of; he's sure to have a good theory."
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"Feel any better? No? I just want you to--plan a moment how you talk to Grantaire. To Enjolras." He leans over for the bottle of vile mushroomy whatever-it-is. "And if we all have to spend the next decades--centuries--listening to Grantaire work this into an endless obscure speech about futility and shame and half-a-dozen names picked at random from the Greeks--now with chapter-and-verse citations to prove Enjolras's disdain--don't you dare run out of the room every time for a walk in the forest and leave someone else to listen to it all night and then get sicked up on. It's all very well to break a window-pane and then tear up a street just to see the effect but our friends--"
Oh, God. Is this the future? Forget centuries of Grantaire harangues; is he doomed to eternal bickering with Bahorel?
Laigle lies down carefully on the floor and stares at the ceiling. "I'm becoming a bore. I spent so many years scrupulously avoiding responsibility, and now here I am worrying about my friends' tender spirits."
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"Grantaire, ah..." he laughs again, and reaches for the nearest bottle, "I don't know. Perhaps he'll see the joke of the thing. Perhaps he'll take it all in the worst way. If you've advice to give on how to tell him, I will not argue it; only, if you want me to be the bearer of odd news you must give specifics." He taps Lesgle's shoulder gently with the edge of his boot. " I think you're wrong about it worrying Enjolras, you know. He's not likely to be thrown in knowing that our cause reached people years or worlds away. But then I hardly expected you to be so rattled by it; and yet here you are, an opium-pipe away from a proper dramatic collapse."
He's not trying to be provocative, now. He is trying to understand, and his voice, despite his own earlier insistence, is gentle. "Come, now, patience with a slow learner; what's troubling you, really?" About this, or about whatever-it-was that had Bossuet storming into his rooms earlier.
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"Well, as to what troubles me with this, I...give me some time. Let me read the rest of the book, or at least the relevant portions? I present myself as an example to you, Bahorel, of how even a steady man with hardly any propriety or modesty might be bowled over by your news, whether or not you think he ought to be. I'll do my reading, I'll talk to Joly, but for Grantaire, for the others--"
There's a scratching at the door, and two papers slid underneath. Lesgle rolls himself over two or three times rather than stand up, and reads the notes. "Combeferre is here--come to Enjolras's room in two or three hours--no--come to Joly and Bossuet's room at once."
Well. This is enough to make him sit up, stand up, and even abandon his bottle(s) of drink.